Tuning, intonation, and balance are the most important elements of a band or orchestra’s sound.
I don’t intend to turn this theme into a detailed discussion on the three main forms of tuning (pythagorean, just, and equal temperament). Nor do I intend to prescribe various exercises for achieving good intonation. However, I cannot state strongly enough my belief that good tuning and good intonation in ensemble performance cannot be achieved without a good concept of balance. In his book Effective Performance of Band Music W. Francis McBeth described pyramidal balance. This concept can be developed to include balance within sections, between sections, within groups (for example brass, woodwind and strings), and between groups. Good intonation is enhanced by good unison playing within sections, between sections, within groups, and between groups. Additionally, good tuning is achieved through the application of pyramidal concepts when tuning the band. Pyramidal concepts can also be applied to enhance the tune up process and to demonstrate harmonic exercises, which in turn add a richness and strength to the ensemble’s sound.
Follow the link to listen to a great example of this concept of sound as demonstrated by the Royal Australian Navy Band as they perform Harrision's Dream by Peter Graham: https://youtu.be/4tZVvDscPwc
This 2011 live performance showcases the accomplished performance skill of each of the members of the band. But these skills only form part of the overall sound! It's not the individual skills that bring out the colour and emotion of this music; it's the team performance, and that is achieved through a great concept of sound.
The music story telling is communicated through a superb ensemble sound, which is achieved by excellent unison playing within sections, between sections, within groups, and between groups. The upper woodwind sound is unique to this band (just listen to the balance in the highly spaced woodwind chords). The clarinet and saxophone sections along with the flutes and oboes, sound as one, with impeccable unison playing in what are very technically difficult passages. Warmth is achieved through a wonderfully balanced brass group and the percussion elements (eight players) bring the story to life. The final sustained chord is a statement in itself about the quality of this band and how the band communicates with its audience with a well-balanced sound.
You can learn more about how to achieve a well-balanced sound with your ensemble by reviewing some of my articles or just send a message to start the conversation with me.
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